Daniela Sá
When Arnold Schoenberg critiqued the work of Adolf Loos, he remarked that the possibility of invention, “was in the modes of intuition”, adding, “and this is the most noble origin of a work of art.” Banishing the idea of invention from that of novelty by forms appears to be as essential to Schoenberg in the early twentieth century as it is to Álvaro Siza, a century later.
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