Posts tagged Álvaro Siza
The best design and architecture books of 2022 / Imagining the Evident

DOMUS

Over the course of his long and prolific career, Álvaro Siza has rarely spoken firsthand of the process guiding his practice. Instead, this small but attentively edited publication, allows this little-known dimension of his to emerge, with a collection of contributions in English and sketches by the Portuguese master.

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....monade announces The List..monade anuncia The List....

The List is a project created by monade to share and make available to order a rigorous selection of books chosen by some of the most decisive minds in Architecture. From Architecture to Poetry, History, Philosophy, Literature, Science, Photography.

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...."Designed Future" in Lisbon and São Paulo.."Futuro Desenhado" em Lisboa e São Paulo ....

Monade x Columbia GSAPP
07.10.2021
Los Angeles 09:30
New York 12:30
Porto 17.30
Venice 18.30

Monade and Columbia Graduate School of Architecture, Planning and Preservation will celebrate the first English edition of “Imagining the Evident” with a conversation between Álvaro Siza, Francesco Dal Co, Kenneth Frampton, Barry Bergdoll, Peter Testa and Daniela Sá.

Broadcast live in www.monadebooks.com and www.arch.columbia.edu

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Imagining the Evident, Again

João Gomes da Silva

When my eyes got used to the raw light of the North Coast, I contemplated sand, concrete steps, water flats between rocks, and the immense sea with the waves battling in foam. I remember thinking an obviousness, the obviousness of what Architecture is, and how it builds the Landscape. This moment changed my life, at the exact moment when I started to become a Landscape Architect.

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Imagining the Evident

Jonathan Sergison

More than any other architect I can think of, Álvaro Siza, has inspired me throughout my career. I first visited his buildings in Porto as a fourth-year student of architecture in 1987, although I had been aware of them throughout my studies. I was always profoundly moved by them, but they are buildings that have to been seen for their many qualities to be evident.

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Towards the Evident

Daniela Sá

When Arnold Schoenberg critiqued the work of Adolf Loos, he remarked that the possibility of invention, “was in the modes of intuition”, adding, “and this is the most noble origin of a work of art.” Banishing the idea of invention from that of novelty by forms appears to be as essential to Schoenberg in the early twentieth century as it is to Álvaro Siza, a century later.

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